Doctor Frankenstein's Venture-Capital Pitch

Very lightly edited from ChatGPT4. Cosma Shalizi should in no way be held responsible for anything...

May 11, 2024

Very lightly edited from ChatGPT4. Cosma Shalizi should in no way be held responsible for anything...

[1] INT. REGENCY-ERA DRAWING ROOM - NIGHT

Opulent furnishings and lavish decorations adorn the spacious drawing room. A large fireplace crackles merrily as a group of DISTINGUISHED GENTLEMEN and LADIES, dressed in early 19th-century finery, gather around a central figure.

VICTOR FRANKENSTEIN, a charismatic and visionary scientist, stands with an air of excitement, his eyes gleaming with the prospect of unveiling his revolutionary technology. A series of intricate drawings and small models are displayed on a grand table beside him.

VICTOR FRANKENSTEIN Ladies and Gentlemen, thank you for gathering on this auspicious day. What I am about to present could very well alter the natural order of life and death as we know it!

The audience murmurs with a mix of skepticism and intrigue.

VICTOR FRANKENSTEIN Ladies and gentlemen, imagine the power to bring back the vigor of life to that which has ceased to be. The reanimation of dead tissue through electrical currents!

[2] EXT. VILLAGE - NIGHT

Cut to the MONSTER, large and grotesque, its creation a result of similar technologies Alton describes. It wanders confusedly through a dark, rustic village.

A full moon hangs low, casting a haunting glow over the thatched roofs of a rustic village. The streets are empty, save for a GATHERING CROWD of torchbearing villagers, their faces etched with fear and anger.

MONSTER (confused and scared) No hurt… no hurt please…

The MONSTER lumbers off…

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[3] INT. REGENCY-ERA DRAWING ROOM - NIGHT

Back in the drawing room, a LADY reacts with a mix of fascination and horror.

LADY EDITH But Mr. Frankenstein, isn’t this against the natural order? Are we not meddling in realms best left to the divine?

VICTOR FRANKENSTEIN Ah, dear Lady Edith, what we discuss today transcends the mundane barriers of our understanding. Imagine, if you will, the power to bring back the vigor of life to that which has ceased to be. The reanimation of dead tissue!

He gestures dramatically to a detailed anatomical sketch of a human body.

SIR REGINALD (frowning) Reanimation, you say? That sounds dreadfully like the stuff of necromancers and dark arts.

VICTOR FRANKENSTEIN Not so, Sir Reginald! Think rather of it as… harnessing the elemental forces of nature itself. Through the application of electrical currents– a technology pioneered by the esteemed Mr. Galvani–we can stimulate lifeless limbs to move once more.

He picks up a small device, wires dangling from it, showing it to the crowd.

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[4] EXT. WOODS - NIGHT

VILLAGER 1 (to the crowd) We must end this now! For our families, for our village!

The villagers rally with cheers, their torches blazing as they march towards the outskirts.

The MONSTER, lumbers through the dark, dense forest. It hears the sounds of the approaching mob and pauses, confusion and fear flickering in its eyes.

MONSTER (pleadingly, to itself) Why? Why they follow?

The Monster accidentally crushes a dry branch underfoot as it stumbles, its massive form outlined by moonlight.

The villagers, torches in hand, converge on the sound, fear and determination in their eyes. The LEADER, a burly man with a scar across his face, points towards the noise.

A regency-era drawing room at night, darkly colored with maroon and grey tones. The room is elegantly furnished, reflecting the period style with ornate details. Miss Clara, a curious young woman in a period dress, peers towards Samuel Alton, a visionary gentleman, who stands confidently explaining his ideas. Mr. Hawthorne, an intrigued older gentleman, leans forward in his seat. The guests around are a mix of excited and disturbed expressions, capturing the tension of the discussion about reanimating the deceased for labor and industry. The atmosphere is charged with a mixture of horror and fascination, enhanced by soft candlelight casting shadows across the room.

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[5] INT. REGENCY-ERA DRAWING ROOM - NIGHT

MISS CLARA (peering curiously) And what, Mr. Frankenstein, would be the practical applications of such a… disturbing technology?

VICTOR FRANKENSTEIN Consider, Miss Clara, the possibilities for medicine and science! Lost limbs reborn, the deceased given a second chance at life–why, the implications are vast for labor and industry as well!

MR. HAWTHORNE (intrigued, leaning forward) And what do you seek from us, Mr. Frankenstein?

VICTOR FRANKENSTEIN Investment, good sir! With your backing, we can build laboratories equipped to develop and perfect this technology. Imagine the profitability of factories staffed by the tireless and ever-dutiful reanimated!

The room buzzes with a mixture of horror and fascination. Some guests look excited by the prospects, while others are clearly disturbed.

A dark, suspenseful forest scene at night, colored with deep maroon and grey tones. The forest is dense with twisted trees and thick undergrowth. A mob of villagers, their faces tense with fear and determination, surge forward with torches that cast long shadows and bright spots of light through the darkness. The scene captures the intensity and urgency as they search through the woods, with some villagers pointing towards a shadowy area where something might be hiding.

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[6] EXT. WOODS - NIGHT

VILLAGER 1 There! It hides in the shadows!

The mob surges into the forest, their torches piercing the darkness.

A Regency-era drawing room at night, darkly colored with maroon and grey tones, capturing an intense conversation. Samuel Alton, a passionate and enthusiastic gentleman, is depicted making a compelling pitch with animated gestures. He stands in the center, his face lit by the soft glow of a nearby candle. Lady Edith, a dignified woman in period attire, looks on with a mix of awe and ethical concern, her expression breathless. The room is opulently furnished, reflecting the era's style, with guests seated around, visibly engaged by the unfolding debate over the moral implications of playing God with technology. The atmosphere is both luxurious and tense, highlighted by dramatic lighting.

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[7] INT. REGENCY-ERA DRAWING ROOM - NIGHT

VICTOR FRANKENSTEIN, oblivious to the unfolding horror, continues his pitch with increasing enthusiasm.

VICTOR FRANKENSTEIN With your backing, we can develop this technology further. Think of the profitability–factories staffed by the indefatigable!

LADY EDITH (breathlessly) And the moral implications, Mr. Frankenstein? Are we to play God?

VICTOR FRANKENSTEIN (smiling reassuringly) We merely extend what nature has already mastered, Lady Edith. We do not replace divine providence but serve as its humble assistants.

An intense night scene at the edge of a village, depicted in dark maroon and grey tones. The Creature, strongly reminiscent of classic Frankenstein, with greenish skin and a bolt in his neck, stands trapped in a clearing. It is surrounded by villagers with torches raised. The creature, in an expression of bewilderment and fear, not malice, extends a massive hand pleading for peace. Suddenly, a torch thrown by a villager ignites its ragged clothes. As it recoils and roars in pain, the fire spreads to the dry underbrush around. Chaos ensues as the fire engulfs the clearing and the Creature, fully aflame, rampages, inadvertently crushing fleeing villagers. The scene captures the horror and chaos of the moment under a moonlit sky.

[8] EXT. VILLAGE EDGE - NIGHT

The Monster backs into a clearing, trapped. The villagers encircle it, their torches held high. The Monster looks around, its expression one of bewilderment and fear, not malice.

MONSTER (confused and scared) No hurt… no hurt please…

It reaches out a massive hand in a futile gesture of peace. Panicked, a VILLAGER throws a torch at it. The Monster recoils as its ragged clothes catch fire. It roars in pain and confusion, flailing wildly.

VILLAGER 2 (shouting) Monster! Demon!

The fire spreads from the Monster to the dry underbrush. Chaos erupts as the fire engulfs the clearing. The villagers retreat, but the Monster, now fully aflame, starts to rampage, inadvertently crushing fleeing villagers underfoot in its blind terror.

A Regency-era drawing room at night, darkly colored with maroon and grey tones. The room is richly furnished, reflecting the opulent style of the period. Investors are gathered around Samuel Alton, a charismatic figure, who stands confidently addressing their concerns with a smile. Mr. Hawthorne, a concerned investor, poses an ethical question, to which Samuel responds with assurance about their role in nature's grand design. Sir Reginald, an enthusiastic supporter, chuckles about the profit potential, prompting laughter and chatter among the group. The atmosphere is a mix of skepticism and eagerness, illuminated by candlelight that casts dramatic shadows across the scene.

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[9] INT. REGENCY-ERA DRAWING ROOM - NIGHT

Investors murmur among themselves, some writing checks, captivated by Frankenstein’s vision.

MR. HAWTHORNE And the ethical concerns, Mr. Frankenstein?

VICTOR FRANKENSTEIN (smiling) We do not play God, but extend what nature has mastered. We are but humble assistants in this grand design!

SIR REGINALD (chuckling) Well, I say! If there’s profit to be made, who are we to argue with progress?

Laughter and chatter break out among the group, some still skeptical, others ready to write their cheques.

A night scene at the village edge, depicted in dark maroon and grey tones, showcasing a dramatic and terrifying moment. The Creature, reminiscent of classic Frankenstein with a bolt in his neck and greenish skin, is now engulfed in flames, wreaking havoc as it moves through the village. Its huge form is a blazing terror against the night sky. Houses catch fire in the background as villagers flee in terror, their screams merging with the Monster's agonized roars. The fire spreads rapidly through the village streets, and the Creature, a towering inferno, stands roaring in the center of the village, expressing its pain and rage. The scene captures the chaos and horror of the situation with intense lighting and dynamic movement.

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[10] EXT. VILLAGE EDGE - NIGHT

Chaos erupts as the Monster, now on fire, begins to inadvertently wreak havoc, its huge form a blazing terror in the night.

Homes catch fire as villagers flee in terror, the Monster’s roars echoing through the flames.

MONSTER (angrily, in pain) Why?! What want?!

The fire spreads to the village. Homes catch as the villagers run screaming through the streets. The Monster emerges from the forest, its figure a towering inferno. It stops at the center of the village, roaring in agony and rage.

An elegant Regency-era drawing room at night, depicted in dark maroon and grey tones. The room is filled with investors applauding Samuel Alton, who stands confidently, having just concluded his visionary pitch about transcending life and death for science and profit. The atmosphere is charged with excitement and greed, as investors eagerly surround Samuel, discussing the venture’s potential and pulling out their chequebooks. The setting combines Regency splendor with a hint of futuristic ambition, enhanced by luxurious furnishings and dramatic candlelight casting intricate shadows across the scene.

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[11] INT. REGENCY-ERA DRAWING ROOM - NIGHT

VICTOR FRANKENSTEIN Thank you, ladies and gentlemen. Together, we shall usher in a new era of science and profit, transcending the boundaries of life and death!

The pitch concludes with applause. The investors are convinced of the venture’s potential. The camera pulls back as some in the crowd exit while many surround Viktor, eager to discuss further, their voices a greedy hubbub of financial calculations and enthusiasm as they pull out their chequebooks, a tableau of Regency splendor mixed with futuristic ambition.

A night scene in a village depicted in dark maroon and grey tones, capturing a moment of intense horror. The village is engulfed in a massive bonfire, with buildings fiercely burning and thick smoke rising into the sky. The Creature, reminiscent of classic Frankenstein, still ablaze but undeterred, stands amidst the destruction, its expression one of growing rage and confusion. It does not understand the fear it has instigated or its own strength. Villagers flee in terror, their faces illuminated by the fire's glow. The Creature, embodying the unchecked ambition of its creator, rampages into the night, leaving a path of flames and ruin. The scene is dramatic and poignant, highlighting the tragic consequences of human hubris.

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[12] EXT. VILLAGE - NIGHT

The surviving villagers flee in terror, their village now a massive bonfire. The Monster, still burning but undeterred, looks around at the destruction it has caused, its rage growing. It does not understand its own strength or the fear it has instigated.

MONSTER (more destructive than ever) No more hurt… NO MORE!

The Monster, more destructive than ever, looks around at the burning village, the embodiment of Frankenstein’s unchecked ambition. It rampages off into the night, leaving the village in flames and ruin, searching for a place to pay back the pain and rejection it faces at every turn.

The screen splits between the Regency-era investors smiling and handing their cheques to Viktor Frankenstein, and the Monster’s lonely silhouette against the fiery destruction, a stark reminder of the consequences of hubris

Doctor Frankenstein's Venture-Capital Pitch

Very lightly edited from ChatGPT4. Cosma Shalizi should in no way be held responsible for anything...

Very lightly edited from ChatGPT4. Cosma Shalizi should in no way be held responsible for anything...

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